Let's go and join the Four Tops whilst they are Standing In The Shadows Of Love. More specifically standing against a white background is what you would do if you were using the original single front cover artwork as your guide. On the remix is a babe who is standing in the shadows at night and given that she is wearing stockings and high heels, it would be reasonable to assume that she has love on her mind. So, standing (correct) in the shadows (yes) of love (probably). Better!

Hey there P. J. Proby, what were you proposing when you sang Hold Me? Was it that people should somehow hold onto him, as that is the only thing that you will find on the original single front cover artwork. On the remix is a busty babe who is holding onto one of her boobs. Whether she is asking you to hold her, or whether she has already followed the instructions of Mr Proby and is holding herself is not clear which on the one hand is a shame, but on the other hand is her boob. Forest!

Brenda Lee perhaps most famous for her Christmas songs, brings us this Halloween Hit entitled Let's Jump The Broomstick. On the original single front cover artwork, we just see Ms Lee singing into a microphone. On the remix we find a babe who seems to have attempted jumping over a broomstick but has got stuck half way. Either that, or she wasn't trying to jump it at all but is actually a witch who is about to ride away into the sky. That seems less likely as she is not wearing any clothes, but then again perhaps that is how witches dress. Spooky!

Is The 59th Street Bridge Song (Feelin' Groovy) the longest title for a song here at AllBum.Art? Without going through each on and checking, we may never know. The band concerned, Harpers Bizarre don't seem phased by the length of the title on the original single front cover artwork, standing around a lamp-post. On the remix we find a babe standing underneath a bridge who seems equally unfazed even though there are large holes in her dress. Balustrade!

Release Me, or release you, or release someone (or something). Whichever of these are correct, the original single cover artwork by Englebert Humperdinck does not indicate who or what needs releasing. Instead we find Mr Dorsey (for that is his real name) looking at something. Perhaps the thing he is looking at is the babe on the remix whose ankles seem to have been tied up with a whip. And maybe it is her who needs releasing and Mr Dorsey is singing on her behalf. Untied!

Love On A Mountain Top, as long as the altitude isn't too high to inhibit breathing, might be quite chilly as most mountain tops are snow-covered. It seems that Robert Knight didn't really think about the practicalities of his proposed mountain-top love-making. The original single front cover artwork shows a picture of Mr Knight, but no sign of any mountain. Perhaps he has never actually visited one. On the remix is a babe lying naked on what appears to be the top of some kind of hillock (whether it would classify as a mountain is difficult to know). Lovely!

Just Walk In My Shoes, that is what Gladys Knight And The Pips are asking us to do. To enact this, we would need to know what those shoes look like. However, the original single front cover artwork does not give any indication of this, making following Ms Knight's instructions somewhat difficult. On the remix we find a babe and her shoes and given how high the heels are, it seems that even the babe herself is struggling to walk in them. Crawl?

To some extent, the original single front cover artwork for Sky Pilot by Eric Bourdon And The Animals does show two aircraft in a dogfight, and the pilot of one of them can be seen in his cockpit. On the remix is a more modern day pilot in the form of a babe who is also sitting in the cockpit of a plane. No sniggering now at a rude looking babe in a location with cock in it's title. Time for a pitstop!

It's always nice to be able to update 50 year old artwork for singles, and Reflections Of My Life by Marmalade is just such an opportunity. The original front cover just shows the band members, which is not uncommon for artwork from the 1960s. The remix shows a babe standing against a clean window that is causing strong reflections of her body (a.k.a. life). It looks as if she lives quite a good life, as is reflected in her odd attire, being just her high heel sandals. Mirrored!

Holy Cow, that is how Lee Dorsey discusses the girl who walked out on him. Holy smoke, it ain't no joke. Neither is the original single front cover artwork which shows Mr Dorsey with a less than unhappy smile on his face. On the remix we find a babe who looks like the type who might just walk out, being the cow that she may be. She is also, unquestionably, holy, what with her habit on show. Moo!